OK, so I’ve been having a hard time putting my finger on it, but here’s what I’ve come up with. These are not all-inclusive, and I’m sure I’ll come up with more reasons for why it sucks so bad.
1. Too much verbal recap.
It bugs the hell out of me when the actors are forced to recite lines for the sake of folks who couldn’t be bothered to tune in last week. That’s what the 30-second “previously on Heroes” spot is for. Not only that, but they take the scripted recap so far, it’s as if they’re also trying to fill in the folks who did watch last week, but are too slow to grasp the concepts being presented. The effect of trying to hammer a point home like this, is that I feel you’ve wasted my time and made me feel like you think I’m stupid. Perfect example? Peter says “February 2000 and 8…” he turns to his pseudo-girlfriend… “THAT’S NEXT YEAR.” Don’t do that. I think I get that it’s set in present day, when the cheerleader got a brand new Nissan Rogue for her birthday. Product tie-in for the win.
2. Too much Phlebotinum
The writers on Buffy the Vampire slayer used to have a lot of fun with “Phlebotinum,” or the magically perfect puzzle piece that helps you to make twelve mental leaps in a single bound, to connect the dots of the crazy-ass story, and gloss over it as if there were no mental leap at all. Heroes kinda has to employ Phlebotinum, but they don’t have to lay it on as thick as they do. You can’t give a character an epiphany where they realize something even though they have NO data on the subject.
3. Complete lack of subtlety
Between the actors, the writers and the directors, I’ve gotta exonerate the actors. They did it for me last season, all save one or two. This season, I think that could be the case, but it isn’t. Even the actors who can handle subtlety are being scripted or directed to can it. “Make a caricature of your caricature.” It ain’t helping. Not only that, but production effects like Sylar’s “watch” beginning to tick when we see him connecting the dots and the evil wheels start a-turnin? Yeah, Mr. Sound Man, your idea of a subtle production trick actually just stole a lot of thunder from your actor, and cheapened the scene.
4. No one in the real world would say that
I don’t know about you, but sometimes I see characters in TV shows just say things that you know, in the same situation, no one in real life would say. Last season, there were precious few instances of this. I believed the characters because I believed that someone in the real world might respond to the circumstances in the same way (at least, in a higher percentage of scenes). This season, not so much. Bad writing, methinks.